Ah.. the woods. Such a glorious place to set a microbudget film. Anything goes! And you have the freedom to scream your head off, make a big mess, and run around as much as you like. It’s why so many slasher films are set there, and why so many of the films in this column tend to find their way there. The woods are cheap, available, and trees won’t yell at you for making too much noise. Luke Brady’s UK-lensed YOUNG, HIGH AND DEAD certainly makes use of the permissiveness of the greenery, though he also spends plenty of time
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