It’s the ultimate film geek fantasy: A hit-man becomes a movie usher; gleefully dealing with the drunks, loudmouths and seat-kickers that inevitably fill your local cinema. But Roger Leatherwood’s USHER is more than just some simple (though welcome) wish fulfillment. It’s a quiet meditation on life, goals, aspirations and finding contentment in your work, with echoes of Poe, and a beautiful theater as its central location. Since its release, both Roger and producer Gary Yap have been busy with a variety of diverse projects, but obviously hold a lot of affection for their nearly decade old film. The two reminisced
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