If you’re part of the increasingly rabid community of people who worship SOV and microbudget films and film-makers, then you’re likely already familiar with Johnny Dickie. He broke onto the scene a couple of years back with his anthology film SLAUGHTER TALES (2012), and has continued being both a prolific director of shorts (including a tribute to J.R. Bookwalter’s ROBOT NINJA), and a vocal proponent of the ultra low-budget aesthetic. He’s also an obsessive collector of VHS tapes, and has developed a friendly relationship with many of the directors who spearheaded the deluge of no-budget films in the late 80s
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