As a dissatisfied youth growing up in Newfoundland in the mid-1990s I used to scour over the film listings in the Video Search of Miami guides, or other similar rare movie collections, astounded at the idea of so many strange and fascinating international films that I may never get the chance to actually see. One title that always jumped out at me was Kazuo ‘Gaira’ Komizu’s notorious Entrails of a Virgin, which seemed to hold an almost pornographic vileness in its title alone. Of course my knowledge of the film beyond the lurid title was limited, so that Synapse has
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