Once again, something old becomes something new and in turn, becomes something even more new. Just when you thought the vampire genre was down and out and you found yourself wanting to drive to a theater showing Twilight while armed with a shotgun, along came Tomas Alfredson’s 2008 masterpiece, Let The Right One In, to renew your faith that someone out there could spin a yarn about vampires in love that you could sit through without projectile vomiting or suffering through some god-awful, bubble gum modern rock song during the end credits. Let The Right One In drew lots of
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