After The Passion of the Christ (and re-watching Braveheart) I was just about done with Mel Gibson as a filmmaker. While obviously visually gifted, his films simply seemed designed for audiences with cinematic needs different than my own. It was this cynicism that brought me to Apocalypto, Gibson’s film of a young Mayan attempting to escape human sacrifice to get back to his wife and child. Filmed entirely in the Yucatec Maya language (with subtitles), the entire concept seemed a little too gimmicky, and the subject matter held little appeal, so I was particularly surprised to be enraptured and fascinated
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