A brilliant, though potentially gimmicky, premise surrounds Christopher Nolan’s breakthrough film Memento, a neo-noir mystery concerning a man searching for his wife’s killer while suffering from anterograde amnesia, which renders his brain unable to store new memories. Somewhat against all odds this unfolds perfectly thanks to a brilliant screenplay by Nolan (based on a short story by his brother Jonathan) which delivers information in fits and starts while – brilliantly – presenting the scenes in reverse chronological order. The central plot is broken up by black and white sequences which provide for some exposition while hinting at the bigger mystery to
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