It’s possible that I may have been predisposed to dislike Big Money Hustlas, the 2000 tribute to 1970s exploitation films created and starring rap group the Insane Clown Posse. It’s not solely because of the quality of their juvenile, often offensively inane music – including the recent internet sensation “Miracles“, which attained cult-like status solely because of its misguided awfulness. It’s not because of their “infomercial” for their 2009 “Gathering Of The Juggalos” event which my wife became semi-obsessed with, watching it repeatedly in disbelief that such an odd collection of rather pathetic individuals could come together in some sort
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