I don’t mean to join the chorus of those who believe that the first half of Stanley Kubrick’s Full Metal Jacket trumps the second so totally as to make the film lopsided, but it’s simply too true to ignore. As a treatise on the dehumanizing effects of basic training – we literally see young men broken down in order to be rebuilt as soldiers – the first half is incredibly effective, with R Lee Ermey’s career making performance as Sergeant Hartman a memorable highlight. Hartman walks a fine line between being intimidation and comedy, and his eventual dismissal at the half
Read More