As I mentioned in my review of Sergio Corbucci’s original Django (1966), the release (and success) of that film was followed – in usual Italian fashion – by dozens of tributes, rip-offs and imitations with names like Django, Prepare a Coffin (with future Trinity star Terrence Hill), Django the Bastard, and Django the Last Killer. Oddly, while original star Franco Nero appeared in a number of westerns – sometimes retitled to take advantage of his Django fame – neither Corbucci nor Nero made an official sequel to their film for another twenty years – long after the popularity of Spaghetti
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