Near the end of Xavier Beauvois’ OF GODS AND MEN we witness the nine Monks who we’ve spent the entirety of the film with breaking from their usual routine of chanting, studying or working to sit together and drink wine while listening to a section from Tchaikovsky’s Swan Lake. It’s a beautiful, sad moment as emotion fills their faces, the realization that their fate may already have been sealed combining with their intense resilience. The monks have lived in peace within a remote section of Algeria for many years, existing peacefully along the nearby Muslim community, but the rise of terrorist extremists has
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