Sweetback (SB): I can’t lie to you, Erik. My interest in low-budget cinema means that I see a lot of films of the shot-on-video variety, so seeing a short that looks so professional can be difficult for my brain to process. Can you tell us a little about working with the RED ONE camera and, in fact, how you were able to get such a powerful piece of equipment for your shoot?   Eric L. Wilson (EW): Since film school, I have always been very picky how my films look. So when one of my DP friends first introduced
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