Ron Purtee’s THE SOCIAL MEDIA MASSACRE represents the culmination of an exciting trend in amateur horror cinema, buoyed by the influence – and reach – of the internet. Ultra low-budget disconnected stories running only a few minutes, the shorts cover a range of content but all trace back to the tools of social networking, and competently play on the inherent fears faced by those who share their personal information and upon them. As with all portmanteaus the quality varies immensely from installment to installment, but the commitment to the concept and the variety of premises makes for an often
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