Sweetback (SB): At its heart, THE END is one big joke on both the protagonist and the viewer. What sort of films (or other works) influenced the darkly humorous tone of the film? Cam McHarg (CM): As far as influential films go in relation to this short, I would probably have to cite several of them that sort of stand out off of the top of my head. NO COUNTRY FOR OLD MEN is definitely one of them. I think that’s literally a flawless film. I try to never forget the feeling that I had both watching that movie,
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