Most micro-budget features just barely limp to the 90 minute mark (if that), so when I encounter a 150 minute UK-shot zombie epic, I sit up and take notice. That was certainly the case with Richard Chance’s impressive B&W debut THE VEIL, shot over a period of five years, which I originally encountered back in 2009 – and was immediately blown away. Certainly some of that was the novelty; as not only was THE VEIL epic in length, it also had a cast who spent 99% of the film wearing distinctive gas-masks. Refreshingly, the material was also
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