No-Budget Nightmares

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EPISODE 3: THE SUMMER OF THE MASSACRE (2006)

EPISODE 3: THE SUMMER OF THE MASSACRE (2006)

http://media.blubrry.com/nobudgetnightmares/www.nobudgetnightmares.dougtilley.ca/wp-content/uploads/2013/05/NoBudgetNightmares_Ep3_-_The_Summer_of_the_Massacre_2006.mp3

Podcast: Play in new window | Download (Duration: 1:17:49 — 71.2MB)

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Well, this is just terrible. A bafflingly misguided “tribute” to the grimy horror films of the 70s – most notably THE TEXAS CHAINSAW MASSACRE – this British shot-on-video horror film starts out awful before eventually grinding down to reprehensibly boring, lost in a sea of improvised conversations and endless, style-less chase scenes. Not only does director Bryn Hammond have the writing skill of a four year old – ably demonstrated by the multitude of confusing, near-unreadable title cards at the beginning and end – but his direction totally sabotages some very attractive locations, and the editing is about as amateurish as your grandmother’s home movies. This is about as close to a cinematic root-canal as you’re likely to find.

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EPISODE 3: THE SUMMER OF THE MASSACRE (2006)

EPISODE 3: THE SUMMER OF THE MASSACRE (2006)

http://media.blubrry.com/nobudgetnightmares/www.nobudgetnightmares.dougtilley.ca/wp-content/uploads/2013/05/NoBudgetNightmares_Ep3_-_The_Summer_of_the_Massacre_2006.mp3

Podcast: Play in new window | Download (Duration: 1:17:49 — 71.2MB)

Subscribe: Apple Podcasts | RSS

Well, this is just terrible. A bafflingly misguided “tribute” to the grimy horror films of the 70s – most notably THE TEXAS CHAINSAW MASSACRE – this British shot-on-video horror film starts out awful before eventually grinding down to reprehensibly boring, lost in a sea of improvised conversations and endless, style-less chase scenes. Not only does director Bryn Hammond have the writing skill of a four year old – ably demonstrated by the multitude of confusing, near-unreadable title cards at the beginning and end – but his direction totally sabotages some very attractive locations, and the editing is about as amateurish as your grandmother’s home movies. This is about as close to a cinematic root-canal as you’re likely to find.

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Your email address will not be published. Required fields are marked *

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